Whether you know exactly who you want to work with and ready to brief or just have the beginnings of an idea which you want to explore, we'd love to work with you. We can help you find the perfect illustrator for your project.

After you’ve chosen which artist(s) you’d like to work with, we will follow that with an estimate of the cost and licensing. Each project gets a detailed breakdown of timing schedules, budget estimates and availability. We manage the full project process from feedback and client sign-off to the final delivery of project content. 

Have the comfort of working with a highly professional agency and world class illustrators on your project.

Contact us and we’ll help you through the process.

[email protected]

+44 (0) 121 330 1312
Nicole Wilson
United States

Nicole Wilson is an American illustrator and artist. Born, raised, and residing in the electric cultural gem known as New York City. From an early age, she was drawn to the arts. She comes from an artistic family, her father is a former Broadway actor, her sister is award-winning audiobook producer and director for Penguin Random House, her uncles are both illustrators, and she grew up in the well-known artist community, Manhattan Plaza. She studied at Parsons School of Design, The Art Students League of New York, School of Visual Arts (SVA), and under the tutelage of the portrait painter, Matt Held. In her work, she loves exploring bold colour, dramatic lines, her inner child, and developing dynamic characters. Children’s Book illustration and editorial illustration are among her main areas of interest. She has frequently exhibited her work in NYC art galleries and has illustration clients around the world. Her illustrations can be seen in the upcoming feature film “Departures” starring Maisie Williams and Asa Butterfield. When she’s not working on creative endeavours, Nicole loves attending theatre, seeing films, travelling, spending time with her family and dogs Huck and Gulliver, riding her bicycle, and indulging in all things Disney.

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